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Sister Iodine / Pita

Mittwoch, 2. Oktober

Pita (UK/A)

With over 2 decades of formal exploration and exhilarating abstraction Get On is, somewhat surprisingly, only the fourth solo Pita full length. Peter Rehberg has always been vouched for pushing the very limits of the technology du jour, be it software or in recent years a complex modular set. Rehberg´s motives are one of unbridled exploration often resulting in extreme and exhilarating audio works.

Having spearheaded the contemporary electronic sound with his uncompromising explorations of noise, rhythm and extreme computer music, he has also worked with numerous experimental musicians in collaboration. Rehberg stands in the wake of a sonic revolution, once fringe, which transformed over time into the sound of a generation of experimental geeks and club freaks worldwide.

Get On follows on from the 2016 release Get In. As with other titles in his `Get´ series we have an unwieldy blend of noise, abstraction, gnarled rhythm and blurred melody. Both analogue and digital tools are deployed as a means of expressing something outside of everyday electronics. `AMFM´ launches proceedings with some delightfully disorientating ricocheting electronics setting off a subversive sonic spectrum. `Frozen Jumper´ presents some ugly skittering electronics which rotate into exquisitely mangled forms before launching into an unsettling euphoria. The last piece `Motivation´ is a towering sensitive work, simultaneously haunted and emotionally moving. Get On marks another monumental work in the ongoing evolution from one of the ground zero pioneers of contemporary radical electronic music. As uncompromising as ever this is Pita in his prime. Emotion rung from the most twisted of frames.

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Sister Iodine (F)

French noise scene spearheads, SISTER IODINE, return with their sixth album; `Venom´.

Active since the Nineties, SISTER IODINE which involve Erik Minkkinen, Lionel Fernandez, and Nicolas Mazet, have not lost one milligram of their radical and uncompromised approach in sound exploration and limits stretching. Following two studio albums on Parisian Label, Premier Sang released in 2009 and 2013 respectively, it took almost 5 years to shape up `Venom´.

It is with the advent of the 21st century - more than ever - that the decisive path of SISTER IODINE has taken a fascinating route. From their debut album, ADN115, released in 1994 which was strongly influenced by the original New York No Wave scene (Mars, DNA, Red Transistor) to their more recent works which are augmented by “newer poisons” such as black metal, or the most abrasive end of industrial music and power electronics, as well as experimental electronics (Editions Mego has reissued an extended version of Premier Sang’s “Flame Desastre” on CD), the band has managed to survive through the years from the inhospitable French squats of the nineties to nowadays´ established venues and proper tours. Today, the band´s music has changed recipients and has attracted younger generations with their organized radioactive chaos, never conceding anything from their initial intensity. Over the years, SISTER IODINE will have also created their own idiosyncratic language, for which sound exploration matters and pure beauty seem to count as much as pure explosive ferocity, while intense violence and energy gets deployed in live shows.

externer link www.sister-iodine.net

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